Klett-Cotta-Verlag Psychology
Hauptbeitrag

Tragödie des Hörens.

Nono Cacciari kritisches Denken und Kompositionspraxis


Oktober 2008, 12. Jahrgang, Heft 48, pp 22-36



Abstract
Tragedy of Listening.
Nono Cacciari critical thought and compositional practice

This article investigates the role of critical theory in the work of Luigi Nono; in particular that of philosopher-politician Massimo Cacciari. It examines the related concepts of negative thought resistance post-dialectical art and »un-everything«. A development is charted through Nono´s choice of poets to set in the 1950´s his insistence on the meaningfulness of musical text at Darmstadt in 1960 and his use of politically-charged documentary texts in parallel with his political engagement. Political aesthetic and philosophical ideas are manifest in the nature of the music itself. There are important theological components despite Nono´s communism. The relationship between the immanent present and musical structure becomes crucial. This is explored in the late works of the 1980´s especially in Nono´s collaboration with Cacciari on the opera Prometeo and his subsequent interest in the work of Jabès.

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