Klett-Cotta-Verlag Psychology
Diskussion

Zeichen – Klang – Gesten

Drei Wagner-Dissertationen


Oktober 2008, 12. Jahrgang, Heft 48, pp 77-86



Abstract
Signs – Sound – Gestures.
Three Wagner dissertations

One can identify two seemingly opposing tendencies in current writing on Wagner: on the one hand a surprising prominence of themes that had already been at the centre of discussions in the early days of Wagner reception and on the other hand a tendency towards reception- and discoursehistorical approaches that bear the traces of the various »turns« of the more recent cultural sciences. Three dissertations by Christian Thorau Arne Stollberg and Martin Knust seem – each in their own way – to attempt a combination of these tendencies. The tension between different levels of objects and observation which all three must endure in the process is characteristic of a musicology trapped between new culture-scientific orientations and the preservation of a work paradigm however modified and expanded.

Schlüsselwörter
keine Schlüsselwörter vorhanden
Keywords
no keywords found
mots-clés
mots-clés non définis


Kopieren Sie diesen Link:

https://www.musikundaesthetik.de/?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rtf.jtitle=Musik und Ästhetik&rft.atitle=Zeichen+%26%238211%3B+Klang+%26%238211%3B+Gesten&rft.volume=12&rft.issue=4&rft.spage=77&rft.epage=86&rft.issn=1432-9425

 Lesezeichen hinzufügen