Klett-Cotta-Verlag Psychology
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Formstrategien der Zweiteiligkeit in Mozarts Menuetten


Juli 2012, 16. Jahrgang, Heft 63, pp 26-42



Abstract
Binary Formal Strategies in Mozart´s Minuets


Minuets in Viennese Classicism fundamentally oscillate between binary and ternary character. Formally speaking they are binary, but their content is rounded off with thematic-motivic reappearances. The minuets with a reprise following a middle section (ternary form) are relatively uniform, while the striving for completion in the forms without a reprise (binary form) leads to a variety of solutions. The different strategies and varieties of thematic rounding are systematically laid out, using the example of Mozart´s two-part minuets. The article ends with a closer analysis of an individual work in terms of its formal effects.

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https://www.musikundaesthetik.de/?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rtf.jtitle=Musik und Ästhetik&rft.atitle=Formstrategien+der+Zweiteiligkeit+in+Mozarts+Menuetten&rft.volume=16&rft.issue=3&rft.spage=26&rft.epage=42&rft.issn=1432-9425

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