Klett-Cotta-Verlag Psychology
Hauptbeitrag

Das Modell der Achsensymmetrie in Schönbergs op. 19, Nr. 4


April 2016, 20. Jahrgang, Heft 78, pp 32-43



Abstract
The Model of Axial Symmetry in Schönberg’s op. 19, no. 4 – This essay thematizes axial symmetry in the fourth movement of Arnold Schönberg’s op. 19. The position of note groups and motifs (in mm. 1-10) is explained with reference to five levels of order on the basis of a horizontal axial symmetry. The axis of symmetry is the only passage in the piece with pedal (in mm. 4/5), which stands out for its sonic variety and density. The axisymmetrical perspective reveals a palindromic construction in which the course of the composition seems largely predetermined. The author subsequently examines mm. 10/11-13 in detail: previously unknown connections and unsolved questions are described and explained.

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