Klett-Cotta-Verlag Psychology

Ein diskursives Minenfeld

Nietzsche und Wagner

Januar 2018, 22. Jahrgang, Heft 85, pp 87-94

A Discursive Minefield: Nietzsche and Wagner – The relationship between Schopenhauer, Wagner and Nietzsche is a decisive, yet extremely tangled constellation for aesthetic modernity. The paradox of this discursive movement is that it was, of all things, Schopenhauer’s metaphysics of music that paved the way, via a number of enthusiastic misunderstandings, for a modernity that would liberate itself from the metaphysical foundations of art and philosophy, replacing the dualism of essence and appearance with expressive constellations of semblance. In Nietzsche, this was articulated in the form of a ›performative philosophy of music‹ – that is, a philosophy that elevated music to the form of a ›post-metaphysical‹ thought in which form and content are impossible to separate. Written as a double review – discussing Federico Celestini’s book on Nietzsche’s philosophy of music and an essay collection about Wagner and Nietzsche edited by the Basel research centre eikones – the present text retraces this discursive movement.

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