Klett-Cotta-Verlag Psychology
Hauptbeitrag

Diesseits und jenseits des Gartens

Zum Musiktheater Ming Tsaos


April 2018, 22. Jahrgang, Heft 86, pp 49-62



Abstract
This Side and the Other Side of the Garden: The Music Theatre of Ming Tsao
Ming Tsao’s music theatre work Prosperos Garten is based on Shakespeare’s The Tempest and deals with colonial power relations as created and consolidated through language, and through associated elements of abstraction. Tsao realizes this language-critical interpretation of The Tempest with an aesthetic that, through reverse transcriptions of pre-existing historical material and complex structural sounds, integrates dissociated musical fragments, and thus also fragments of music-cultural perceptions, into the composition, interweaving them and bringing them into contact through layers of different sonic contexts. In this manner, he strives to open up possibilities for polyphonic musical subjectivity and expressivity beyond dichotomous representations.

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