Klett-Cotta-Verlag Psychology

Die Klangbibliothek des Michael Wollny

April 2018, 22. Jahrgang, Heft 86, pp 63-79

The Sound Library of Michael Wollny
This essay seeks to show the musical development of the unanimously critically acclaimed jazz pianist Michael Wollny. To this end, the author examines Wollny’s (jazz) piano trio output since 2005 and considers how Wollny’s idea of a ›sound library‹ manifests itself in concrete musical terms. The article reveals the manifold references to other musicians or composers, writers and film directors that run through Wollny’s music and are becoming increasingly prominent. With reference to the extraordinary wealth of outside material used on his 2014 album Weltentraum, it also asks to what extent one can speak of kitsch.

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