Klett-Cotta-Verlag Psychology
Hauptbeitrag

Varietas und ratio in Ockeghems Missa Quinti toni


Juli 2018, 22. Jahrgang, Heft 87, pp 42-60



Abstract
Varietas and ratio in Ockeghem’s Missa Quinti toni – This text is an analysis of the Kyrie from Ockeghem’s Missa Quinti toni. The point of departure is the explanation of varietas by his contemporary, the composer and music theorist Johannes Tinctoris, who considered Ockeghem (along with Antoine Busnois) one of the »outstanding« composers, and names his music as an example of varietas. Varietas, as becomes clear from Tinctoris’s explanation and is confirmed by analysis, is not an instruction to avoid being systematic; on the contrary, it is varietas, which Tinctoris states must be applied »at all times with the utmost degree of method [ratio]«, that provides a compositional structure in the first place. The text also makes a case for the cultivation of varietas in performance practice.

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