Klett-Cotta-Verlag Psychology

Kleine Hermeneutik des Jazz

Juli 2019, 23. Jahrgang, Heft 91, pp 9-29

The Hermeneutics of Jazz
The aim of the paper is, firstly, to develop a mode of understanding that can be fruitful for questions of musical aesthetics, and secondly, to work out the specifics of what it means to understand jazz. This goal is realized in three steps: in the first step, basic hermeneutical assumptions are developed in and through short dialectical sketches of the positions of Heidegger, Gadamer and McDowell. The second step then develops answers to the question of what it means to understand aesthetic entities in contrast to philosophical texts, for example. The third and final step contrasts the understanding of jazz with the understanding of classical music and pop music. The overall thesis of the paper is that in jazz music, a dimension of musical practice per se becomes explicit, whereas in other musical practices it remains implicit.

keine Schlüsselwörter vorhanden
no keywords found
mots-clés non définis

Kopieren Sie diesen Link:

https://www.musikundaesthetik.de/?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rtf.jtitle=Musik und Ästhetik&rft.atitle=Kleine+Hermeneutik+des+Jazz&rft.volume=23&rft.issue=3&rft.spage=9&rft.epage=29&rft.issn=1432-9425

 Lesezeichen hinzufügen